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The Sichuan Project

by Matteo

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1.
Car clings the edge Fog turns trees to ghosts Faces flat against the window Weaving the mountain pass And we just stand and stare to the thin grey air Passing stands, food and honey Cliffs give in to grass Bright white peaks, rocks vermillion Women harrow the hills Ride a rotting road We're laughing in the wind Driver points ahead, says "picture heaven," We joke, we've come so far Now the van goes quiet and the water washes on the road Who will be the one to say what we all think Don't you know I'm here with loved ones We close our eyes as we Mud and steel, water's pouring, Wheels are in the air Red rural face, broken windows, Just take the things we need Hours go through summer snow, I sit and watch the family sleep Keep the liquid drip from running dry, as hall lights glow Spare wheelchair, the closet where my sister calmly listens While the night nurse gives me papers to sign so we can go And the faces in the window watching like a show Come so far, and found death's near heaven, Heaven just looks like home
2.
The trolling boat that's floating me In between the chicken streets Cardboard caught in river weeds The egrets watching civilly The river moon, a ripple-ghost Is one Li Bai can finally hold He dives to grasp his misery The egrets watching soberly Qu Yuan makes a river bed And pulls the river overhead He hears the anxious paddle beats The egrets watching silently Catching trash in fishing nets Buildings bowing overhead The cityscape escaping me The egrets watch indifferently
3.
Childhood 02:52
4.
Breakfast 02:34
5.
The terraced tired hills Leave my family's fields Mom's weeping in the road Dad won't see me go From the home he's only known The terminal arrivals check the times It's teeming with people and wheels Watching walkers talking on the phone All alone I just have to wait In the international Sun breaks on the train Morning migrants sigh and shift I want to look ahead But we can only see the rising city from the sides The bags are piled tight, tied on the cart The baby she's asleep inside my arms Her mother holds the food And all at once I think if they were gone, Can't move on I just have to wait In the international We populate like paper dolls Can't choose to be alone What we're running from, I'm running to And we're sharing rooms for better pay We're packing pots to get away And the terraced hills will slowly drain The terminal will try to entertain Waiters wait I count the hands Numbers I cannot comprehend Six something billion and now It's clear to me We're only as lonely as we choose to be In the international
6.
The careful Tibetan that drove us to Bamei When we were all shuddering He took a long distance phone call And all that I heard was yes, I know, I'm lonely too Anna just smiles and draws crowds at the clinic Pick you down, jiang ni zhai xia Pass you 'round, gei bie ren jia The farmer, a father, his calves in the water Spreads oil on the terraces His wife and her mother hold sickles And baskets, and laugh When we ask them about the corn The boy chews hard candies and gives one to Anna And the city's years surpass her hours Upon the people's earth And the branch bows low on our gathering And we're all looking up just to watch the flowering Pick you down, jiang ni zhai xia Pass you 'round, gei bie ren jia
7.
On her roof the tiles are rotting And her electric stove is cold In between the bricks and concrete She sits making shoes with woven soles
8.
Red-Eye 04:02
On the Red-Eye In the bright black sky Sleeping people A reading light Book is laid across my lap I'm in the window looking back Feel a hand upon my back Turns me back In this itinerary Am I flying from the sun? In my tattered dictionary Will I find this defined? It's just temporary I know it will go But I know you know I know Know you know

about

We wrote these songs during our time as musicians-in-residence at Sichuan University in Chengdu, China. Most of what you hear was recorded there, in our dormitory. Additional recording (and some lyric writing) was done at our homes in Salt Lake City. To all of our Kickstarter backers, and to the University of Utah Confucius Institute -- we can't thank you enough for helping us make this happen.

credits

released September 24, 2012

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Matteo Salt Lake City, Utah

Drawing inspiration from rice paddies and mountains, this wholly American foursome has taken sino-american relations into their own hands and strings. Traditional Chinese instruments-- guzheng, zhongruan, liuqin, and erhu-- converse fluently with acoustic guitar, violin, and upright bass.
www.facebook.com/MATTEO.chinese.american.folk
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